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The traditional sector of the arts in Roscommon is performed and enjoyed
at all levels by performers and audiences alike. However, while there
are a number of noteworthy festivals, summer schools and practitioners
in the county, the casual or voluntary nature of the supports available
to the sector somewhat diminishes the potential for development in
terms of new work, innovation, career prospects and audience development.
In light of these issues and in keeping with the Arts Council's policy
on traditional arts of promoting high standards of performance and
enhancing the quality of audience engagement, Roscommon County Council
in association with Mid-South Roscommon Rural Development Company
(MSRRDC) and Arigna Catchment Area Community Co. (ACACC) have
established a project to consolidate and promote the development of
traditional singing, music and dance in County Roscommon funded by
MSRRDC, ACACC and Roscommon County Council supported by the European
Union and An Comhairle Ealaíon. |
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The project, which commenced in March 2003, and has been co-ordinated
and facilitated by traditional arts specialist, Dr. Liz Doherty and
operates with the following objectives -
Increase the participants and audience, especially young people,
for traditional arts in the county.
Identify standards of excellence in the performance and practice
of traditional music, song and dance and encourage the achievement
of these standards.
Encourage innovation in the performance and practice of traditional
music, song and dance.
Encourage the development of new composition and choreography.
Develop and build on an understanding of Irish traditional
music, song and dance in an international context.
Following a comprehensive audit of the sector, a representative forum
of practitioners was convened to pool knowledge and resources and
to feed into the development and manage the implementation of five
new projects designed to stimulate development in the sector. This
Forum consists of a broad spectrum of practitioners in the sector
including musicians, dancers, teachers, broadcasters etc. and it is
members of the forum who are managers of the five projects that have
emerged.
These five projects are -
1. Traditional Arts Education (Primary Schools)
2. Marketing of Existing Activities and networking of practitioners
3. Performance Development
4. Professional Development for Traditional Artists
5. International Links and Contexts
From this point the forum has gone on to initiate new projects within
the sector such as the development of an instrument bank, an archive
for traditional arts in Roscommon and the recording of a CD of Roscommon
flute music. |
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| Cathy Jordan |
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| John Wynne |
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Liz Doherty is a musician, teacher and researcher
from Buncrana, Co. Donegal. She has a BMus from UCC and a PhD from
the University of Limerick and was a full-time lecturer in the Music
Department, UCC from 1994-2001.
Her experience includes festival organisation, including accessing
of funds (Éigse na Laoi, 1989 and 1993), Crossbhealach an Cheoil/The
Crossroads Conference (1996), establishment of The Cape Breton-Ireland
Musical Bridge, consultancy work with the Arts Council and the Traditional
Music and Dance Development Network (Ireland). Recent research work
includes A Needs Analysis of the Training and Transmission of Traditional
Music at University and Professional Level throughout Europe for
the European Network of Traditional Music and Dance.
As a fiddle player she has performed and recorded as a solo artist
(currently promoting her second CD Quare Imagination, on her own
label, Busy Lizzy Records) and with a number of groups, including
Fiddlesticks, a youth initiative with students in Cork.
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